
KALEB STUART
Kaleb Stuart lives in New York City.
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ORANGES
2
in his poem Why I Am Not a Painter O’Hara suggests
that it is much easier to eat an orange than to paint it
4
in his poem ‘The Third Party’ Jonathon Holden regards the unlocking of an
orange as a simile for the scientific exploration of a differential equation
3
in Monet’s masterpiece Apples & Oranges he deconstructs Western Art by
revealing the multiple perspectives through which a piece of fruit can be viewed
5
in the joanne burns poem ‘so far so good’ she uses the
metaphor of a lost orange pip to describe a lost ‘belief’
6
in his poem ‘The bi kid’ Michael Dransfield, the persona
saves the life of his client through an injection of citric acid
1
in one of his early poems John Forbes suggested that
one should write a poem about oranges, possibly long
7
I view an orange much like a vase. Both inside and out its
lines establish subtle connections, contradictions between its
integrity as an artistic object and as an eatable worldly form.
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THE SCULPTOR
I
Between etchings & screen prints & acrylic paintings the
Kiwi sculptor meticulously crafts a life sized human skeleton
in his one bedroom Maroubra studio he cuts & delicately shapes
each of the 206 skeletal bones from Indonesian balsa wood.
He discovers that most bones act as a system of levers by moveable
joints lined with articular cartilage & powered by a locomotor system.
To him even the picking up of a brush or an electrical saw is a complicated act
of anatomy, of the interplay between consciousness & touch receptor centres
& as he cuts & carves & sands & pastes & binds together his creation
he imagines it all layered with muscles & connective tissues & nerves.
II
Opening night. Bondi Pavilion. Everything is in place, perfect for the unveiling of the
sculpture - the weather, the organisation, the finger food & drink- all absolutely superb!
Light bop sprays the walls & in the far corner a young couple dance,
caress- in the sculpture’s mind - their spongy marrow filled bones
sway in an elastic band of cartilage their muscles at ease anchored
Yet no one, not even the sculptor, could have foreseen what was to happen next:
a drunken flatmate, with a glass of red in hand, suddenly reels backwards- clutching
at the masterpiece to re-orientate his balance. He lands heavily on its torso smashing the
fragile skeleton- the sternum is instantly crushed/ there are multiple clavicle & rib frac-
tures- the artist shrieking- cursing clutching his own sides his head in jigsaws of pain.
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SO WHAT?
Poetry had better say something important to readers. In writing classes this is known as the ‘so what?’ test. Michael Sharkey
So what if you mystify,
bamboozle me in your seemingly playful
intricate discussions-
with your obscure literary allusions
& name droppings-
your incoherent hybrid academic babble
resolutely grounded in post-structural theorists
like Focault, Lyotard, Jameson, Baudrillard?
So what if no one can understand your poetry-
your post-colonial ideology,
your pastiche of perspectives?-
the fluidity of your
constructed self-
reflexivity?
So what if you have only lived an
academic life?
in a shadowy world of words
a proponent of institutionalised
discontinuity
cloistered in the dialogue of thoughts of others (upon others)
So what if you got your eclectic poems
published
in that clever new magazine-
but who is going to buy or read them?
So what if I was at the book launch?
& so what if I was the only person
throughout the night
to actually purchase
a subscription?
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VASECTOMY
Talking nervously to a fellow patient
in the foyer of a Parramatta birth control clinic
he reckons it is the best deal in town- $5 a snip.
Christ, you’re probably saving a couple hundred grand each unborn child
I field some obvious but awkward questions from the young counsellor
Do you enjoy sex?
If one of your children dies would you want to replace him?
I visit totally inappropriate thoughts but play the game & say something like:
How can you ever hope to replace a dead child with another? It would be a long & difficult process but we would have to come to terms with the death & realise we will never ever have another child etc…
I am instructed by a worldly looking Indian doctor to undress-
the sharp stab of the local works quickly.
I hear a buzzing sound-
a cross between an electric tooth brush & a vibrator
and in 10 minutes it is done. They stick a yellow
happy face at the point of the incision.
Before I leave the doctor warns me
I have a varicose vein like condition in the groin area
& he had to dig deep on one side. I hobble uncertain to the car
quickly- before the drugs wear out
& soon I am home
In the night I feel a growing discomfort
& in the morning my left testicle
is the size of a grapefruit (no exaggeration).
I take a couple of days off work & soon everything is swell.
The sperm, I suppose, is lumpier now & more yellowy in colour
& harder to hit the roof.